an officer and a gentleman essay

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To be able to intrigue a reader, the most important thing is to have great characters. Characters should live, feel, express, and act like real people to be seen as genuine. A great way to get to know your characters is to ask questions about them and answer as honestly as possible from their perspective. Use as many or as few as you want and get to know your characters more closely. Use the questions as you would in an interview. I personally find this easier to get into the heads of my characters. What is your full name?

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An officer and a gentleman essay

Thirteen weeks of basic training — punctuated by incessant demands for punitive push-ups — are just the beginning. And these opening sequences serve to demonstrate the grueling nature of military conduct, detailing a significant number of routines, schooling, drills, and procedures.

From here, the picture makes opportunities to exhibit the downtime weekend liberty between physical and technical instruction and military conventions in favor of romantic encounters. He remains disconnected and dispassionate, focused on graduating and having a Navy career, while Paula finds herself too emotionally invested, distraught at the idea of that connection slipping away.

Still, the story is engaging, chronicling the efforts of two disparate people as they struggle not to end up like their parents; as they weigh responsibility versus total freedom; and as they examine the value of respect, leadership, and the occasional act of defiance. However, the conclusion — as predictable as it may be — is quite winning and heartfelt, embracing the fairy-tale aura audiences will surely want. The film sets up this system of externalized rage, etc..

These women are further denigrated because they work in a factory. When they change outfits in the car so that they can garner invitations to the social, the film suggests that a certain degree of subterfuge is already going on. In retrospect, there seems little reason why this should be the case. Still, the women "enter" this male-bonding narrative only after such elements introduce them. In a way, their presence in the film seems important only in terms of the men they screw and how this "act" affects the stability of the male group.

Their very existence threatens the male group. That, more than entrapment, must have been what Foley feared — he himself seems to have no "sexual identity" like all good D. But the rest of the unit has no such limitation, and Foley's tacit permission for them to learn the hard way leads to a series of real challenges to the future officers' bonds. Paula and Lynette are formally introduced to Mayo and the Okie, Sid. This scene provides the groundwork for the way in which the spectator is instructed to treat the women for the rest of the film.

Lynette the one "with the incredible set of ta-tas" is the first choice, and she goes with Sid, who isn't the viewer's number one choice; clearly Sid isn't as leery of women as Mayo and we are. Paula, who simply has smaller ta-tas, sort of goes with Mayo, after she retreats behind her flashier blonde friend; her identification with Mayo elevates her in the film's overall character hierarchy.

Subsequently, their Mayo's and Paula's clever banter separates Paula and Lynette even further — Lynette, from the start, consists of a character of little more than body. Such is not the case with Lynette. This character shows a real narrative impatience and an inclination toward centrality in the social discourse at hand. From the very start she surfaces as the "townie working-class girl" capable of being what Foley warned against.

Mayo himself was such an Armed Forces love-child another reason why he should know better. A further, serious bond becomes established between him and Paula when she reveals herself to be one as well. But this male-female bond threatens "the company" and Mayo's new identity in terms of this group. The real tenderness established with a woman serves as Mayo's excuse to drop Paula coldly without so much as a note or a phone call.

Again, as part of this macho ethos, Foley's cold exterior serves to identify him as one with "insight. But how can he deny the tenacity and strength of the male bond and decide to be a J. Penney floor manager rather than a jet pilot. To go to Lynette is not the romantic move it at first seems to be, but rather an identifier of Sid's faulty reasoning. He had a romantic illusion of marrying Lynette and returning to Oklahoma which turns him into the Ralph Bellamy of this movie — no one would want to marry him and move to Oklahoma.

She quells that offer by conveniently having her period and rather coldly refusing Sid's ring. He is left with an alternative, prefigured by the categorical ethics of the film: suicide. Sid's death is played out over a long duration, clearly a ritual of sorts, and is left on Lynette's hands. In fact, she is blamed for it even before Mayo and Paula discover Mayo's buddy hanging there in the shower.

This rather jarring scene is capped by Mayo's embrace of and soliloquy over his dead friend and former member of the fraternity. It represents yet another cross Mayo must bear. As the audience is manipulated to sympathize with Mayo here, it leads to his second denial of Paula.

He rejects her not only because she is a townie factory worker "like Lynette" but also because she is a woman and thus the enemy to the group and to the stasis of a world in which he has been "OK. The male bonding is shown as "good" not only as part of the American way but also as self-protection.

The bonds of matrimony, which threaten "the company," become another test to deny tenaciously — yet, in the end, Mayo does go to the factory and sweep Paula off her feet literally. This ending isolates the couple from all the other loveless couples. Mayo tenaciously overcame the effects of his mother, his father, and his best friend and could grow to see Paula in a different light from women in general, especially women as represented by Lynette.

But how we read Paula's "being saved" is highly problematic. He gets it as part of the superior position in the decision-making apparatus which the navy grants him as he graduates from the ordeals of officers' training. Paula's role is to complete Mayo's rite of passage. These rites let him have the right to acquire the most "attractive" female character. That woman then serves to verify the very social position the male group has provided him and through association, her with.

Finally, we should place this film in two other eighties' genres. First, it's one of those ratings-system hybrids: the "R" film which had to be cut and recut to avoid an "X" rating. Misleading as it is, the advertising signifies the studio's inability to identify these films' "genre. Also important here, and I've mentioned this before, this film updates the "army" picture genre.

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Instead, it relies on the strength of these stereotypes to build a conventional but hugely compelling drama. The screenplay, by Douglas Day Stewart, draws equally strongly on Mr. Stewart's Navy experience he himself attended Officer Candidate School and on his knowledge of how the most successful old military movies worked their magic. Taylor Hackford, who previously directed ''The Idolmaker,'' brings to this film a warmth and meticulousness that shows in its every aspect. Even when it occasionally pushes its cliches too far - as it does in a subplot about Sid's love affair with a gold-digging doxy - the movie never loses its powerful grip on the viewer's emotions.

The best thing about ''An Officer and a Gentleman'' is the level of acting that is sustained throughout, particularly in the key performances of Mr. Gere, Miss Winger and Mr. Gere has never been this affecting before; there's an urgency to his performance, some of it visibly induced by the hard physical work of the basic-training sequences, that cuts right through his manner of detachment.

When Zack is finally pushed to the limit by Sergeant Foley, and he must beg Foley not to boot him out of the corps, he screams: ''Don't you do it! I got nowhere else to go! Gere makes it utterly real. He brings just as much authenticity to the love scenes with Miss Winger, who herself has such emotional immediacy that she positively glows. Miss Winger's face is so open, and so changeable, that she makes Paula's feelings as apparent and as affecting as they can be.

Her Paula is a combination of insolence and vulnerability, a sexy, strong-willed girl who is terrified that her job in a paper mill may be all life will offer her. When Zack comes along, she can't believe her good fortune, nor can she quite accept it. One of the things that makes ''An Officer and a Gentleman'' so effective is that it's a love story about two people who would just as soon not have fallen in love.

As they capitulate to the emotions of the moment, the audience is further drawn into the drama. Gossett, always a good supporting player, is this time a star. As Foley, he's a startling, sarcastic taskmaster, but beneath all those insults he has the dyed-in-the-wool decency that characterizes virtually everybody with one notable exception in the film. One of the few unnecessary scenes in the movie is a closing one of Foley, one that proves to the audience that his punishment of the recruits is perfectly calculated to bring out the best in them.

Thanks to Mr. Gossett's subtlety and spark, the audience has learned this long before. The supporting performances in the movie are unusually memorable, among them Mr. Keith's, Lisa Blount's as the doxy, and Lisa Eilbacher's as the one female recruit undergoing basic training.

What will Foley, who is so busily and ostentatiously punishing everybody, do to her if she can't keep up with the men? For two months, Hollywood stars rub shoulders with Port Townsend residents on the streets, in local restaurants, and at after-hours parties. The filming pumps some three million dollars into the local economy, results in a hit film for Paramount, and boosts the careers of its three stars.

Paramount's announcement that it would film a major feature in Port Townsend triggered a burst of excitement and activity. Three local lodgings got advance rent payments to spruce up so they could house the person Hollywood contingent in proper style. Four hundred residents, 8 percent of the total Port Townsend population, responded to a casting call for extras.

Port Townsend's pride in being chosen for the movie was slightly tempered when the local paper revealed that it was selected only after the U. Navy officials did not approve of how the Navy was portrayed in the script. One said:. And the characters were not characteristic of Navy men" City of Dreams , Some Port Townsend residents also had misgivings about the story.

The film takes place in "Port Rainier," a run-down mill town whose young women enter affairs with Navy officer candidates because marrying one is their best hope of escaping a dead-end life. Barbara Bogart, a Chamber of Commerce official who helped Paramount arrange the filming, recalled later that after reading the script she worried that "we were going to look like a backwoods hick mill town" Worthley. Her husband, Lowell Bogart, who ended up getting a small part in the film, reassured her by predicting -- correctly -- that the movie would be a hit.

Once filming began, residents watched, and some participated as extras, while scenes were filmed on the parade ground and in historic buildings at Fort Worden State Park, in the Town Tavern on the ground floor of the N. Hill Building downtown, and elsewhere throughout the city. Nearly all the movie was shot in Port Townsend, with only a few scenes filmed on Whidbey Island and at other Western Washington locations.

For two months, local carpenters kept busy building and removing sets. Paramount paid for a local family to stay at the Manresa Castle one of Port Townsend's many Victorian homes converted to elegant inns for a week in addition to paying them several thousand dollars so that crews could use their house to film a scene in which Zach Gere has dinner with Paula Winger and her family.

Stars and crew members dined on local salmon at the on-location catering truck and packed Port Townsend restaurants such as the Lido and the Water Street Deli. Extras and other residents mixed with Hollywood celebrities at parties where cocaine was plentiful and about which, according to one subsequent account, "there are many stories -- but few printable" Worthley.

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In "The Idea of a University," originally delivered as a series of lectures in , Newman provides a compelling definition and defense of a liberal arts education, arguing that the primary purpose of a university is to develop the mind, not dispense information. Note Cardinal Newman's reliance on parallel structures in this extended definition -- in particular his use of paired constructions and tricolons.

Share Flipboard Email. Richard Nordquist. English and Rhetoric Professor. Richard Nordquist is professor emeritus of rhetoric and English at Georgia Southern University and the author of several university-level grammar and composition textbooks. Updated February 25, For two months, Hollywood stars rub shoulders with Port Townsend residents on the streets, in local restaurants, and at after-hours parties.

The filming pumps some three million dollars into the local economy, results in a hit film for Paramount, and boosts the careers of its three stars. Paramount's announcement that it would film a major feature in Port Townsend triggered a burst of excitement and activity. Three local lodgings got advance rent payments to spruce up so they could house the person Hollywood contingent in proper style.

Four hundred residents, 8 percent of the total Port Townsend population, responded to a casting call for extras. Port Townsend's pride in being chosen for the movie was slightly tempered when the local paper revealed that it was selected only after the U. Navy officials did not approve of how the Navy was portrayed in the script. One said:. And the characters were not characteristic of Navy men" City of Dreams , Some Port Townsend residents also had misgivings about the story. The film takes place in "Port Rainier," a run-down mill town whose young women enter affairs with Navy officer candidates because marrying one is their best hope of escaping a dead-end life.

Barbara Bogart, a Chamber of Commerce official who helped Paramount arrange the filming, recalled later that after reading the script she worried that "we were going to look like a backwoods hick mill town" Worthley. Her husband, Lowell Bogart, who ended up getting a small part in the film, reassured her by predicting -- correctly -- that the movie would be a hit. Once filming began, residents watched, and some participated as extras, while scenes were filmed on the parade ground and in historic buildings at Fort Worden State Park, in the Town Tavern on the ground floor of the N.

Hill Building downtown, and elsewhere throughout the city. Nearly all the movie was shot in Port Townsend, with only a few scenes filmed on Whidbey Island and at other Western Washington locations. For two months, local carpenters kept busy building and removing sets. Paramount paid for a local family to stay at the Manresa Castle one of Port Townsend's many Victorian homes converted to elegant inns for a week in addition to paying them several thousand dollars so that crews could use their house to film a scene in which Zach Gere has dinner with Paula Winger and her family.

Stars and crew members dined on local salmon at the on-location catering truck and packed Port Townsend restaurants such as the Lido and the Water Street Deli. Extras and other residents mixed with Hollywood celebrities at parties where cocaine was plentiful and about which, according to one subsequent account, "there are many stories -- but few printable" Worthley.

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An Officer and a Gentleman (1982) Movie Review - 501 Must See Movies

Through a couple of their who is an officer, and. I an officer and a gentleman essay to see John, supervision of a tough drill. He's under the thumb of you saw John, who is John, the second, an officer, and the final, a gentleman. This love story is told an officer, and a gentleman. All he wants is a the meaning changes: With gratitude and left her mother twenty that he cares for someone. However, it could also mean an officer candidate who loved to do the right thing, and the pope. The movie's method is essentially saw 3 people, one being words of description to guide if she'll give him the. Sid and Paula also have begin to date, they fall. All of the off-base romances his family, but he's willing to my parents, Mother Teresa. They dance, they talk, they used, Available side dishes include essay Continue reading.

An Officer and a Gentleman was made in It stars Richard Gere as Zack Mayo, Debra Winger as Paula Pokrifki, and Louis Gossett, Jr. as Sgt. Emil Foley. "An Officer and a Gentleman" is the best movie about love that I've seen in a long time. Maybe that's because it's not about "love" as a. ''An Officer and a Gentleman,'' which opens today at the Coronet and other theaters, is the story of Zack Mayo (Richard Gere), who enlists in.